The old-style publisher’s memoir, which reached its high-water mark between about 1920 and 1950, was a relatively staid affair. The publisher who wrote it – say, Evelyn Waugh’s father, Arthur, author ...
Reading Taki’s High Life column in The Spectator is like being given the key to the door of the secret garden. Once inside you are confronted by all sorts of exotic flora and fauna; ‘Avocato’ Gianni ...
The life of actress and amateur philosopher Joanna Lumley is like those dramatic conversations you half-hear from the next table in a restaurant – considerably less fascinating, and slightly ...
Elinor Grace, exploring Arabia in 1911, travels with a supply of plum puddings and a certain sense of personal inadequacy; ‘Mother’s shawl will prove a godsend in ...
Heidi Blake is a former assistant editor at the Sunday Times who now works for BuzzFeed. Her book does two things, one badly, the other well. On the positive side, Blake has written a pacy, fact-based ...
It is a telling irony that a historical novel could be the quintessential literary work of the post-truth era. Perhaps no other novel better captures the malleability of truth than The Mirror and the ...
Do you know what happened in Lyon in AD 177? Or in Milan in 1300? Or in Baroda in 1825? You probably don’t, but you shouldn’t worry: few do. Whatever happened, it was, by ordinary standards, something ...
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...
‘The present is more and more the day of the hotel,’ declared Henry James in The American Scene. It still is. We are all hoteliers now, at least potentially. The private two-bed flat competes for ...
The smiling, Bermuda-shorted figure on the jacket of John Updike’s new volume of essays and criticism looks engagingly pleased with the world and himself, and the first sentences of his Foreword tell ...
If one goal of modern biography is to lay bare secrets and perversions, then Salvador Dalí must necessarily make a disappointing subject, for he spent a lucrative lifetime laying them all bare himself ...
The ultimate purpose of what is now only the second least reputable literary prize going is to render itself redundant by discouraging poorly written, gratuitous or unnecessary passages of sexual ...
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