Journalist Liz Pelly and musician Ian Kamau discuss what the streaming economy means for both fans and artists.

If you think Spotify was designed to be a music platform, you’ve been tricked. Liz Pelly has the receipts.

Novelty suffers, too. By one estimate nearly three-quarters of streamed songs are over 18 months old. Compared with the raucous explosion of genres that characterised popular music until the 2000s— ...

Publisher Macmillan said the book is "a testament to the human spirit and its capacity to endure, evolve and find purpose in the face of unimaginable adversity." ...

From millennial reflections on divorce to must-read memoirs from the likes of Graydon Carter, Brooke Shields and Ms. Tina ...

The UK jazz and art pop musician will have Shahzad Ismaily (and more TBA) in his band for the US dates, with support from Patrick Shiroishi.

"You DO NOT want to live in a world without the freakish weirdos who make the music that is the most alive, the art that's ...

GQ columnist Chris Black talks to Mood Machine author Liz Pelly, who argues that the $100 billion streaming giant's rise has been bad news for listeners as well as musicians. The Meta CEO just ...

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We promise these non-fiction titles are anything but boring and will have you roused (as with the damning tell-all on the ...